Play Along Piano

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Choral

Shoshone Love Song

Dries Vanca

2:21	Est. Play Time
38	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	7	3	3	30%
	16	10	1	4	30%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	16	7	3	3	30%
	16	10	1	4	30%
S A	9	10	1	6	83%
T B	7	0	1	6	83%

The Pascal Lamb

Janet C Springer

8:14	Est. Play Time
198	Measures
	1,257Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	7	4	5	51%
	21	5	5	7	55%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	18	7	4	5	51%
	21	5	5	7	55%
Men	15	0	4	5	85%
	12	0	4	4	27%
Women	12	0	4	3	27%
	15	0	3	5	85%

Eternal Father, Strong to Save

Clive Uy

0:36	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	0	3	3	100%
Bass	14	0	4	3	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Alto	10	3	3	100%
Bass	14	4	3	100%
Soprano	10	1	3	100%
Tenor	8	0	3	100%

J. S. Bach: Kyrie I (Missa H-moll, BWV 232)

BSG

10:12	Est. Play Time
127	Measures
	3,611Kb

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB	27	0	9	7	100%
Org e cto	27	0	9	7	100%
View all 15 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
CB	27	0	9	7	100%
Org e cto	27	0	9	7	100%
Vcl/Cb	27	0	9	7	100%
Ob. da Cacc.	25	2	10	7	98%
Flute	22	1	9	7	90%
Bassoon	24	0	8	7	88%
Viola	26	0	10	6	88%
Violin 2	25	0	11	7	85%
Violin 1	24	0	8	7	84%
Tenor	19	0	7	6	72%
Alto	21	0	8	6	67%
Bass	21	0	8	7	62%
Soprano 1	22	0	8	6	61%
Soprano 2	20	3	8	6	53%
Church Organ	10	0	4	3	2%

A Ceremony of Carols 5 "As dew in Aprille" Benjamin Britten

Stulta Auricula

0:56	Est. Play Time
53	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa	19	9	4	3	94%
	17	9	3	3	96%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Arpa	19	9	4	3	94%
	17	9	3	3	96%
Tenor	11	0	2	5	92%
Soprano	13	0	2	5	91%
Alto	12	0	1	5	75%
Bajo	11	0	2	5	60%

Goodbye

Jacobb.te

0:34	Est. Play Time
10	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	13	2	4	100%
	11	12	3	3	90%
View all 6 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	14	13	2	4	100%
	11	12	3	3	90%
Alto	7	0	2	4	100%
Bass	8	0	2	4	100%
Soprano	9	0	0	4	100%
Tenor	11	0	1	4	100%

Ein feste Burg ist unser Gott

JLCG17

0:52	Est. Play Time
25	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	4	0	0	2	68%
	6	0	0	2	44%
View all 4 Parts

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano	4	0	0	2	68%
	6	0	0	2	44%
	15	28	4	2	100%
	18	11	5	3	100%

Jezus już przyszedł [Jesus ist kommen, Grund ewiger Freude] (preludium do pieśni)

jakubkwintal

0:36	Est. Play Time
24	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	4	3	88%
		21	0	7	3	98%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		15	0	4	3	88%
		21	0	7	3	98%

Base Theme

thefaceofawesome

0:39	Est. Play Time
40	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	14	1	4	100%
Tenor Saxophone	13	3	3	100%
Horn	11	0	4	90%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Flute	14	1	4	100%
Tenor Saxophone	13	3	3	100%
Horn	11	0	4	90%

27. Auf meinen lieben Gott. BWV 136.6. Johann Sebastian Bach

SDG

0:43	Est. Play Time
13	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	0	2	4	100%
	11	0	2	4	50%
View all 10 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Violin	13	2	4	100%
	11	2	4	50%
Horn in F	6	0	4	100%
Oboe	6	0	4	100%
Soprano/Alto	14	2	4	100%
Tenor/Bass	22	4	5	100%
Viola	10	2	5	100%
Contrabass	18	3	3	45%
Violoncello	18	3	3	45%
Tenor	2	0	1	8%

75. Ein' feste Burg ist unser Gott, J.S. Bach, Luther. B.A. 39. No 50. BWV 303.

SDG

0:55	Est. Play Time
13	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		17	0	3	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto		13	0	2	3	100%
Tenor/Bass		17	0	3	2	100%

Introit: O Clap Your Hands

ChurchOrganist

1:07	Est. Play Time
16	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S (S) A		15	10	3	2	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
S (S) A		15	10	3	2	100%

329. Wachet auf, ruft uns die Stimme. BWV 140 #7.

SDG

1:24	Est. Play Time
36	Measures

	Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	0	1	4	100%
Tenor/Bass	17	0	4	4	100%
View all 4 Parts

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	1	4	100%
Tenor/Bass	17	4	4	100%
Contrabass	15	3	3	50%
Violoncello	15	3	3	50%

86. Es ist das Heil uns kommen her. BWV 86 #6.

SDG

0:50	Est. Play Time
12	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	3	100%
Tenor/Bass	18	4	4	100%
Contrabass	13	2	3	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	14	3	3	100%
Tenor/Bass	18	4	4	100%
Contrabass	13	2	3	50%

148. Herr, nun lass in Friede. BWV 337.

SDG

0:38	Est. Play Time
12	Measures

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	2	3	100%
Tenor/Bass	20	5	3	100%
Contrabass	16	4	3	50%

	Unique Notes	Unique Accidentals	Rhythmic Complexity	Percent Played
Soprano/Alto	13	2	3	100%
Tenor/Bass	20	5	3	100%
Contrabass	16	4	3	50%